Τρίτη, 19 Μαρτίου 2013
Σάββατο, 19 Ιανουαρίου 2013
Τετάρτη, 30 Μαΐου 2012
Κυριακή, 26 Φεβρουαρίου 2012
Κυριακή, 20 Νοεμβρίου 2011
take a look at http://fuckyeahgirlswearingbandanas.tumblr.com/
where you can see the absolute style accesorie applied in many ways.
and yes, the bad-ass looking style is back :D
Τρίτη, 25 Οκτωβρίου 2011
Back in the 1950's, Christian Dior made a splash with what came to be known as the "New Look." Today, Dior is all about the new look of its new media. While the production values aren't to the standard of the recent "Charlize Meets Marilyn, Grace and Marlene" short film for its J'Adore perfume, the luxury brand is making a big statement about how much it values digital branding these days by producing a trailer, above, teasing its soon-to-be-relaunched website at dior.com.
Τετάρτη, 19 Οκτωβρίου 2011
Τετάρτη, 5 Οκτωβρίου 2011
Yes, we do love him.Always did, always will.
He was the designer that I saw and said, I want to be like him.
However, his two previous collections were a disappointment to me.
But this was like he is back and wants to give more fashion to the world.
These was the gowns that I loved most from that magnificent collection.
Πέμπτη, 29 Σεπτεμβρίου 2011
Fashion & Art: Karen Elson for Vogue Italia October 2011: Steven Meisel captured Karen Elson for Vogue Italia October 2011 issue. A bit boring after the funny clip by Steven Meisel with Karen Elso...
Strong, striking and structured Gareth Pugh’s spring collection demanded your attention from the very first look. With a bombastic pre-show film starring Crystal Renn setting the mood, Pugh created an atmosphere of pure drama. Just when you thought things couldn’t get any wilder they did and with each successive piece he upped the ante. Criss-crossing cubes of transparent netting adorned the first few dresses, garnering gasps from the audience, while the Phillip Treacy masks of the finale had Paris’ most jaded fashionistas clapping. Intense graphics were the collections dominant motif: stripes and armour-like adornments added interest to the ensembles, particularly those perilous wedges destined for editorial greatness. Pugh has always been able to move his audience, but this season’s blend of theatricality and craftsmanship ranks among spring’s finest.
PHOTOS: STEPHAN MOSKOVICCASTING: KANNON RAJAH
TEXT: JANELLE OKWODU
TEXT: JANELLE OKWODU
STYLIST: KATIE SHILLINGFORD
MAKEUP: ALEX BOX
HAIR: MARTIN CULLEN
VIDEO WALL: RUTH HOGBEN